What if SYS were light instead of dark?
Posted Jan 17, 04:10 PM
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Ender’s Game Rocked: Space Boy Sucks. With a name ripped from a Smashing Pumpkins song you’d think it’d be more enjoyable! Interesting twist on wormholes with characters you wouldn’t give a smashed pumpkin for.
by Orson Scott Card
2 Stars
Not Recommended
My wife picked this one up from our local library, having attended his church classes in North Carolina. One of his much earlier works, Ender’s Game (Ender, Book 1), was a favorite of mine in elementary school, although the remainder of the series (and spin-off series) were disappointing. She picked up the book in the juvenile fiction area and I thought I’d give it a preview before reading it to the kids. It’s a smallish book, page-wise, being only 95 pages in length. Reading the summary on the inside cover I was surprised to see this was a signature edition retailing for $35. Thirty-five dollars!!! For a 95-page novella? I think I bought the whole The Spiderwick Chronicles Boxed Set
for less than the price of this one book, it being an entire series of adventures geared towards the same age bracket. Already, it had set a high standard, just in terms of potential cost alone.
Unfortunately, it was just another read.
Card does does a fantastic job presenting people so unusual and disconnected from their societies that it’s hard to relate to them. Space Boy is no exception, centering around a youth reminiscent of the vacuum-cleaner boy – a savant in astronaut trivia. He discovers a hairy naked midget emerge from open air in his back-yard after his kid brother complains of an elf stealing their mother from his closet. A multi-planet adventure ensues involving worm-hole based travel, density changes, and the forcefully sudden discovery that the younger brother is a mathematical genius, with a mother and father that seem pasted in, if truly there at all. Although the character’s and their reactions were, at times, entertaining, the two brothers in particular, all the other characters, grieving father included, appeared rather stereotypical. The whole thing felt rushed.
To give Card credit, I felt the whole concept of a worm-hole actually being a living organism to be creative in scope and execution. He builds rules around this concept involving directionality as well as what can pass through and what happens to it. The speculation provided by the characters as to why is also interesting. Indeed, it could have provided the basis for a much more interesting and involving story if it had been developed more. I would love to see him elaborate on the idea, give more background, and provide more compelling characters to really make it sizzle.
Orson Scott Card is a genius – literally one of the most intelligent people I’ve ever known. Having had him as a religious instructor while living in North Carolina, I think it fair to say he’s an example of that tenuous link to sanity that genius can so often preclude. Intermixing imagination with fact, it’s hard to tell when he speaks fact or an elaborated yarn (more often the latter, I suspect). Strikingly, he strongly reminds me of another genius with a penchant for story-telling, L. Ron Hubbard, progenitor of Scientology. If Card were not grounded in something as defined as Mormon doctrines he might be the type to craft his own religion worshipping alien bugs, trees and piggies. Or not… Pardon me for elaborating on Card as he does with dead kids in the neighbor’s basement and rocket-lovin’ nerd kids crawling through wormhole anuses.
BTW: I’d not purchase this book for over $9.
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Whitley Strieber, self-proclaimed alien abductee, here writes interdimensional fiction of planetary invasion amongst parallel worlds. A writer possessed by his words finds his writing actuating an alternate earth in which a planetary invasion is taking place only to realize his earth is also in jeopardy. Curious concepts which leave too many incongruities and unanswered questions to be recommended.
Award-winning juvenile fiction which discusses the weighty matters of choice, infanticide, and geriatricide in a way that ultimately leaves the reader to decide in an unbiased fashion. In a utopian culture of the future that maintains a base-line standard of life through self-suppresion and communistic assignment of duties and euthenasia of non-contributing members, young Jonas receives the very rare and enigmatic duty of Receiver. With this new role come rules of a very different nature than the rest of the culture. Ultimately this permits bypass of the emotional blindness and the revelation of the true nature and history of the culture.
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Few books touch me so indelibly. Rarer still are true stories that leave a mark or impression on my soul. Tuesday’s with Morrie has done that with rapacious wit, candora, melancholy, but most importantly, truth. Life is to be lived, and fully, not sequestered away seeking money, fame. Life is who you love. This is a book to own. I hope my kids will pick it up off the shelf when they’re old enough and give it a read.
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